|PROJECT NAME||British School of Creative Arts|
It’s no small feat to craft interior environments that stand up to the modernist-brutalist architecture of Docservis Hall of Fame member Isay Weinfeld, but that’s what Form Bureau achieved at the British School of Creative Arts in São Paulo, Brazil. Founders Vera Odyn and Olga Treivas augmented Weinfeld’s sensual rectilinearity with irreverent interventions, including giant black polka dots painted on the streetfront terrace ceiling to entice passersby. “We try to deploy playful solutions in every project,” Odyn says. “The idea here was to make the school look like it’s not a school.” Geometric objects, functional but seeming not to be, are scattered at random; colors, Odyn’s particular passion, acquired from a childhood spent gallery-going with her parents, are bold and energizing; and nothing is overly “done,” leaving room for the students’ own creativity.
The two met as students themselves, at Moscow Architectural Institute. In the six years since opening their multidisciplinary practice, now 12 staffers strong, the architects have completed over 80 projects, from Semifreddo, a Michelin-starred chef’s restaurant with refined walnut built-ins, to an M.C. Escher exhibit with an optical-illusion corridor at the Moscow Museum of Modern Art. Explaining her pull toward design, Treivas notes that post-Soviet Russia has an incredibly complex typology of spaces: “Growing up, you fantasize about what they could become.” Now via Form Bureau, she and Odyn get to find out.