Working It: Rockwell's NeueHouse is More Club Than Office

In an office area at the Rockwell Group’s NeueHouse in New York, custom lamps in blackened steel sit on custom tables topped in walnut-stained oak, beneath the gaze of an encaustic on canvas by Y.Z. Kami. Photography by Eric Laignel.

Terracotta tiles back a neon sculpture by Jill Magid in an office area. Photography by Eric Laignel.

A hand-knotted wool rug anchors a breakout area. Photography by Eric Laignel.

Another one features an Arne Jacobsen–style chair. Photography by Eric Laignel.

Cushions custom-made from 80-year-old wool kilims soften the plywood of amphitheater seating. Photography by Eric Laignel.

Lamps by Michele De Lucchi and Giancarlo Fassino meet custom oak-veneered workstations in an office area. Photography by Eric Laignel.

The video studio’s silk screen on canvas by Adam Pendleton. Photography by Eric Laignel.

A mixed media by Deborah Grant in the entry. Photography by Eric Laignel.

Custom sofas upholstered in leather or polyurethane velvet with a custom elm-topped table in a breakout area. Photography by Eric Laignel.

Another Pendleton in the lounge. Photography by Eric Laignel.

The café’s site-specific light sculpture by Thierry Dreyfus. Photography by Eric Laignel.

A mixed-media work by Karen Heagle in the lounge. Photography by Eric Laignel.

One of the custom food carts in blackened steel and walnut. Photography by Eric Laignel.

Behind the reception desk, a mixed-media work by an artist known as Carter. Photography by Eric Laignel.

A conference room was outfitted with two custom oak-topped tables. Photography by Eric Laignel.

Seating in the screening room came from an opera house. Photography by Eric Laignel.

Partitions of blackened steel and frosted glass define private offices. Photography by Eric Laignel.

Lounge furniture includes a 1950’s chair. Photography by Eric Laignel.

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